As a result of the empty space, dimensions, light, and temperature found in the studio, and thanks to the view from the gallery down into the workspace that is possible here, the work took on the conditions of the space. Priska Rita Oeler first meticulously documented each step in the work process in photos, going up the stairs to the gallery again and again. The view from above changed the perspective onto and thus the object on the floor as well.
The bundled canvas became a sculptural object, the unfolding a performative act, the laid out canvas a relief, the painted surface an installation, and the documentation a process. Priska Rita Oeler moved subtly and skillfully within the context of artistic questions with respect to formality, perception, and materiality.