Elisabeth Hatz worked for two weeks in the Gastatelier.
During her stay in the guest studio, the Swedish architecture professor, curator, and artist Elisabeth Hatz fulfilled a long-cherished dream. In the lost-wax process, she realized a model of a utopian shrine as a bronze cast in four parts that can be combined with each other in various ways. Based on a large-format drawing that she created for her presentation at the Architecture Biennale of 2018 in Venice, she modeled an architecture that might be used to collect light and rain directly in wax. For the Museum Night, she also created an homage to her friend Florian Beigel, an influential German-English architect and lecturer of many decades at London Metropolitan University, who passed away in August. For it, Elisabeth Hatz produced a sketch directly in molding sand, which was cast at midnight as an open casting in iron.